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Authors Should Author, Designers Design

Authors are an intelligent and creative breed, weaving words into works of art that entertain and inspire. Most authors, however, are not artistically inclined in visual media. This is where things can get tricky when you are looking to self-publish a book. Not only does your cover design need to be stellar to market your work, but you need to understand how to use various computer programs to make your end product look professional. This can be a hefty task for someone who is unfamiliar with programs outside of a word processor.

In our media and technology-crazed society, many people have some modicum of knowledge in the design department. Everyone and their brother has a pirated (and usually outdated) version of Photoshop and knows how to bump up the contrast of a photo or crop it down to a desired size. But is this limited ability sufficient for laying out the only imagery that will accompany a book you’ve put so much effort into? Unless you’re the rare jack-of-all-creative-trades, your best bet is to work with someone who designs for a living, specifically someone who specializes in book and e-book layouts.

Many self-publishing services offer online design programs to help you set up a cover and formatting for your completed written work. While these can be useful for a particularly computer-savvy author, the output is typically very generic and doesn’t catch the eye. You must keep in mind that the cover is the first and only image a potential reader will see, even if you are only publishing your book digitally. If your title is illegible and the graphics don’t stand out against the thousands of other covers listed on a sales site, what would motivate a reader to click on your thumbnail?

Another problem that a professional designer can help you troubleshoot is formatting. If you’ve spent months writing your masterpiece, it would be awful to have a snag in the book’s formatting where pages are misaligned and the actual writing suffers for it. Professional book designers are aware of how to create various files that will translate to any format, whether it is an e-book or a final copy going to a printer.

Especially when dealing with print, the guidance of a pro can help you avoid dozens of common mistakes. Errors in pagination are not uncommon in self-published books, and this can be distracting to the reader and even make your completed book look excessively amateur. Do you know the difference between designing in CMYK and designing in RGB? CMYK is intended for print, RGB for digital. The subtle differences can drastically effect your final product, but a designer knows how to work with both and create a polished piece. Similarly, do you know how to efficiently use print templates and bleeds? If you can’t confidently answer “yes” to these questions, you should seek the services of a professional so that your book’s appearance doesn’t suffer.

In the end, the most important role you play as the author of your book is just that: authoring your book. Leave the aesthetics to someone who is trained and experienced in creating visual art so that your written art can stand out on its own. Not only will it alleviate unneeded stress, it will give you a professional-looking product that is beautiful and thus more marketable than one created on the fly.

A Handy Guide to Book Cover Font Selection

Choosing the right font can easily make or break a design. Whether you’re designing a movie poster, a billboard or a book cover, the right font is absolutely key. Some poor font choices are so obvious that they can make you cringe. Some mistakes, however, are considerably more subtle. Many authors don’t realize what a big impact the font of their book title and name can have on the overall presentation of your writing. This is why it is imperative that you look at all of your options for fonts and make a decision that you can be confident in.

To Serif or Not to Serif

These are the two primary categories for fonts. Serif fonts are those like Times New Roman, Garamond and Georgia. Serif fonts have little tags at the end of the lines on each character. These fonts are typically used for larger texts (such as the content of a novel or a newspaper article) or to convey formality. Sans-serif fonts, as the name suggests, do not have these little tags and are generally cleaner looking. Common examples of sans fonts are Arial, Helvetica, and the dreaded Comic Sans. Sans-serif fonts are popular for titling and web content because of their readability. Ultimately, the choice is up to you, as both types of fonts can be used elegantly and efficiently.

Novelty Fonts

There are thousands upon thousands of novelty fonts out there, and very few of them will look good on the cover of your book. Novelty fonts come in a broad spectrum of styles and varying levels of silliness, from handwriting and 3-D fonts to the blood-dripping Head Injuries or the debaucherous Group Sex font that depicts stick figures in various letter-shaped sexual positions. Use these fonts sparingly, as they can be overwhelming and detract from the overall tone your cover is trying to convey. If you’ve found a novelty font that you really think suits your book, talk to your designer. They can use elements of the font that you like while keeping the rest of it fairly uniform, increasing legibility.

Font Licensing

When choosing fonts for designs of any kind, people like to search the web. There are dozens of free font websites available that have plenty of usable content. When browsing through these fonts, you must remember that these are another artist’s creation and you have to use them respectfully. Free font websites will have a description of the license for each font. Most of these fonts are not free for commercial use even though they are free for personal use. In these cases, there is usually a way to e-mail the designer or pay a “commercial use” fee to acquire the rights to use the font you’ve chosen. If you’re working with a designer, you don’t need to worry about the licensing, as all professionals already have the licenses for fonts that they use on hand.

Combining Fonts

Most book covers have two distinct lines of text: the book’s title and the author’s name. In a lot of cases, these two lines will be in different font faces. This means that not only do you have to stress yourself out about choosing the right fonts, you have to lose sleep over whether or not those two fonts will work together. Each element in a design needs to compliment the others, and fonts are no different. This is where a professional designer’s advice comes in very handy, but a general rule of thumb is to avoid using two different serif fonts in one design. You should also choose fonts that are not too similar. If you use two fonts that are very close in appearance, they will make each other appear warped or stretched because of the subtle differences.

The thousands of font choices available can seem overwhelming at first, but it’s not an impossible task to pick one (or two). Working with a professional will help to alleviate the burden. Designers have giant font libraries and an eye that is trained to select them, so they can offer you hand-picked options instead of letting you waste time browsing through thousands of fonts. When you’ve found some options you like, type out your book’s title and your name in each font so that you can see how it will work for your particular project. If all else fails, type out the name of a book you hate. If you still like the font afterwards, it’s meant to be.

5 Tips for Choosing Images for Your Book Cover

Choosing a photograph or illustration for your book’s cover can obviously be a daunting task. No matter how imaginative writers can be, visual imagination is not always included. For many authors, the fact that an entire novel requires only one picture to illustrate it is a blessing. The problem is that you still need to come up with that one picture — and it needs to be a good one. Because it’s just one picture. One. The following are a few guidelines to help you formulate and execute a concept for your cover’s imagery.

1. Solidify Your Ideas

Is your book about the plight of a young waitress trying to make it in the cut-throat world of fine dining while juggling her love life? If so, an illustration of a moving truck is probably not your best option for a cover graphic. Think of elements from your story that would fit well in a background image. For the story of our struggling server, a photograph of an abandoned apron could be complimented by a matchbook with a suitor’s phone number scribbled in it. Focus on items or scenes that suggest your subject matter. If you’ve hit a roadblock for image ideas, consult with a designer. The pros handle images for a living and simply leave the words to you.

2. Be Aware of Legal Issues

You may be thrilled when you use Google Image Search to locate that perfect photo for your cover, but beware — licensing issues will probably prevent you from using it. You will need to find the copyright owner (usually the photographer) and acquire written permission to use the image. Some photographers will be happy you’re using their work, some will ask you to pay a fee, and a few will flat-out refuse to let you use their work. In some cases, you may not be able to track down the copyright holder at all. Be prepared for this scenario and have a back up plan. The last thing you want is to have your book ready to go to press, only to be held up by a legal battle over an image.

3. Browse Stock Photo Websites

If you’re really lacking in inspiration for your cover, there are hundreds of stock photo websites that have plenty of imagery available. Search for words that have something to do with your story and see what pops up. You may just find yourself flooded with ideas after seeing what the internet thinks! In the best case scenario, you may even find an image that you want to use for your cover. Stock photo websites sell conditional and exclusive licenses for every image on the site, so securing rights to use one will be a breeze. If you’ve chosen a designer to work with, talk to him or her about using stock photos. They can help you through the licensing process and anything else that gets complicated.

4. Take Your Own Photographs

If you’re looking for something with a little more of a personal touch, try to create your own image. Even cell phones these days have high resolution cameras that can take brilliant photos. There are also thousands of apps that can help you add filters and effects to the photo you’ve taken. When choosing to go this route, however, you must make sure that your photos are being taken in (and staying in) high resolution formats, otherwise they won’t be printable. If you have a photograph that you would like to use but you’re not sure if it will work, show it to your designer. Designers can apply filters and alter photos so that they look great on a book cover.

5. Work With a Professional Designer

No matter how you end up finding and selecting the images for the cover of your book, it is advisable to work with a professional designer to put everything together. They can help you choose fonts and colors that will compliment the imagery you’ve chosen and can even adjust the images you have to better suit a book cover.

If you’re really at a loss for a cover concept, a designer can also help you get those ideas together into a cohesive presentation. You’re the author; no one expects you to be a graphic designer, as well. Working with a professional can help relieve a lot of the stress that comes along with tackling this project.

The Cover Counts

While we’ve been told the opposite since childhood, a book’s cover is going to be heavily judged. As an author, this should both terrify and excite you. A well-designed book cover can sell a teen romance novel to your grandmother, whereas a poorly designed cover can prevent the world’s next bestseller from ever being read. We’ve all seen book covers that are laid out poorly or have illegible titles, but even those who are cautious to avoid these mistakes must ask themselves one question: what the heck are you trying to convey about your book?

There are three specific things you must take into consideration when you are planning your book’s cover. Whether you are trying your hand at creating the visual yourself or enlisting the aid of a professional designer, this mini-checklist will help ensure that you are not marketing your memoir as a murder mystery (unless, of course, you’re a murderer).

1. Choose your colors wisely.

This seems to be the simplest of suggestions, but is so often overlooked. A color scheme can make or break the cover of a book. Have you written a coming-of-age novel about a teenage boy during the prohibition era? Blood red text on a black background is probably not a suitable color combination. Is your science fiction story about interspecies political battles on war-torn Jupiter ready for a cover? Perhaps pastels are not for you.

A properly chosen theme of colors can really help to convey the message and mood of your book. Colors translate immediately to the human eye, long before images and text are registered. Gentle, subdued tones can express sentimentality, while more contrasting colors can imply conflict. Obvious associations may be drawn as well, such as shades of blue to imply water, though these can read as trite if overused.

2. Choose imagery that suggests your content.

This issue is twofold in cover design. First, we’ll tackle the obvious: don’t use images that fail to represent what your book is about. If you have a collection of anecdotal dating advice, even the most beautiful photograph of an empty beach does not efficiently represent your subject matter. Choose photographs and graphics that are directly associated with the written material.

On the contrary, many authors decide to be too “on the nose” with the imagery on their covers. A story about a troubled clown need not include a sharp illustration of a juggling, white-faced character. A better choice in this case would be a soft-focus circus landscape or an abandoned make-up table. The idea here is to suggest your content, not illustrate it literally.

 

3. Choose a font that is clear and appropriate.

Again, this issue has two aspects worth addressing. Legibility is the primary focus, of course. If you cannot read the title and author of the book, why would you ever choose to open it (or click the link) and learn more? Make sure that your font weight is heavy enough to stand out against busier background images and that any “fancy” fonts used are still easy to read from a distance (or as a thumbnail image). If the title isn’t clear when the cover is reduced in size or read at a distance, you may as well not have put a title on your book at all.

The second mistake many authors make in designing their covers is choosing a font face that does not accurately reflect their book. A swirly, majestic font could be great for a medieval romance, but it is wholly inappropriate for a tale about street punks in the ’70s. Authors should also be wary of fonts that are too decorated, even if they seem to suit the content. This decreases legibility and will often look silly as an end result.

There are numerous decision to be made when planning out the cover for a book. You’ve spent countless hours writing, so why scrimp on time when it comes to packaging? While it may not be ideal, the cover of your book will inevitably decide whether or not a reader decides to investigate further. With all the work that already goes into self publishing, it makes sense to take a little extra time and care to make sure your cover properly represents your work.

Damonza’s Top 10 Book Covers of 2012

2012 was an incredible year for me and Damonza.com. I’ve got to work with some incredible authors and I’m proud to announce that my team and I designed over 200 covers!

Although I am proud of every cover design that we release, inevitably I have some favorites from last year, and I thought I would take this opportunity to list them here. Some were designed by me, and others designed by members of my design team.

Here they are, in ascending order:

10. Engel by Grant Palmquist

9. Mirror Mirror by Les Edgerton

8. Arson and Ashes by Estevan Vega

 

7. I’m Yours by Lindsay Paige

6. Beyond the Shadows by Anna Hub

5. Relatively Famous by Jessica Park

4. Ghostwriter by Travis Thrasher

3. Relative Malice by Marla Madison

2. Stuck by Lamar van Dyke 

1. Revenge of a Band Geek Gone Bad by Naomi Rabinowitz

It wasn’t easy choosing a top 10, and of course this is a subjective choice – there were many other covers that were very close to making this list. If you have your own favorites from these sample covers, I’d love to know what they are!

Thanks for reading (and writing!).

My favorite covers (designed by me)

In the past 6 months, I’ve designed well over 100 covers and I thought it was perhaps a good time to share my thoughts on some of my favorites and talk about the challenges faced when designing them. In no particular order, here are my top 5…

MUSIC BOX by ESTEVAN VEGA

This was the first cover I designed for Estevan Vega and what I loved about it was that it was one of the first covers I designed where the brief allowed me to create a cover that was more abstract than literal. It’s about a couple facing their last day in their apartment, in their city, and the brief called for a cover that conveyed a sense of temporary existence, while being a little bit eerie. Also, and this is always a good thing, it only went through 3 drafts.

View it on Amazon

GOING NOWHERE by KIMBERLY LAUREN

Going Nowhere was the first cover I designed in the genre of “Chick Lit”. When I received the brief, I actually had to google that term as I had no idea what it meant! Fortunately, it turned out to be pretty straightforward, and the final approved cover was just a tweaked version of one of the initial drafts. The novel revolves around a woman who falls in love while working on a cruise ship. Not really something I would read (I’m more of a Game of Thrones kind of guy), but it was still fun to design.

 FLAT OUT LOVE by JESSICA PARK

 This was definitely one of the more challenging covers to design, for a number of reasons. Firstly, the story was so unique, and the brief so specific, that I knew immediately that a unique illustration style was required. This was completely different from all the covers I had designed before, which were predominantly photo-realistic, made by combining and editing existing royalty-free stock photos. Because of this, I made the decision to bring in some help from another designer for the very first time. And just as well – she nailed it! The client was happy, and I was thrilled for 2 important reasons. Firstly, of course, there’s nothing better than a satisfied customer. And secondly, I now knew I had a design resource that I could rely on. In fact, subsequent to this cover design, this “resource” has assisted with many of the covers displayed on this site.

This was also the very first cover that I actually saw in print, as the author was kind enough to send me an autographed copy. Thanks again, Jessica!

See it on Amazon

ARSON by ESTEVAN VEGA

I know… another book by Estevan Vega. But I really love this cover. The amount of layers and work and manipulation that went into this cover is astounding, particularly that fire effect. Estevan and I went through a whopping  13 drafts to get to this, and even though I may have disagreed (quietly) with some of Estevan’s changes, ultimately he was spot-on with what he wanted. Tiny changes made huge differences. If Estevan wasn’t a great author, I’m sure he could’ve made a very successful career out of creative direction and design. This is the first book in a trilogy, and I guarantee the next 2 covers will be just as powerful.

View it on Amazon

SHADOW ON THE WALL by PAVARTI K TYLER

This cover has particular sentimental value to me, as it was only the second cover I ever designed. I was fortunate enough to be recommended to Pavarti through the author of the first cover I designed, Abyss of Chaos by David Beem. Still, I had to pitch against 73 other designs! Fortunately, Pavarti picked my cover and we’ve had a healthy pitch-free relationship since then!

View it on Amazon

I’ve only selected 5 examples above, but at the end of the day, I like all the covers I’ve designed – I should, since I designed them! I get to work with some great authors, and I love what I do. Every cover presents its own challenges, but there’s nothing more satisfying than the final approval of a client, when I get that e-mail that says, “I love it!”

Awesome Book Trailers

Selling a book is all about setting the mood to the story and evoking various emotions that will allow the reader better insight to what’s inside. Book trailers may be a fairly new concept but it is indeed one that works and works well, especially when they’re AWESOME.

Readers now have a quick and exciting way to view the story through a high quality audio visual experience. We also select the very best in audio sound tracks to accompany the exciting visuals while at the same time covering all the key elements of the book through text bursts or voiceover. Once this is done you have an AWESOME book trailer to assist with reaching your sales target.
We have three packages available to cater for individual needs and budgets.

All packages are designed in the same way with high quality audio sound tracks, text bursts or voiceovers explaining the story or subject, and are between 1 to 2 minutes in length. The only difference between the three packages is the usage of either still images which we animate to create movement and fluidity, and the use of video footage.

The Standard Package has no video footage and is designed completely with photo and images.
The Enhanced Package is designed with a combination of animated images and video footage.
The Ultra Package is created entirely with video footage.

Check out the Book Trailers page for more details

Sample

Covert Reich Trailer

The Cartel

Happy Hour

Slave Trade

What makes a quality fiction cover?

There’s no question that books are judged by their covers, particularly when they’re written by new or lesser-known authors. Before convincing the viewer to turn over the book and read the blurb on the back, or click on the link for more info, the cover has to be enticing enough to encourage further interaction. That’s a fact, which is why a professionally designed cover is absolutely crucial to the popularity and sales of every book.

The cover sets the tone of the book, informs the viewer on what they may be introduced to within its pages, and provides the impetus to take the next step in the reading or purchasing process. Every element of a good cover gives crucial information to a potential reader, which ultimately influences their reading decision.

So, what makes a quality cover?

There are 5 key aspects to creating a cover that creates interest, provides information, looks enticing and ultimately sells – Tone, Relevance, Attraction, Interest and Legibility  (TRAIL).

TONE

Probably the most important element of the cover is the tone. The tone is the feeling the reader gets with a quick glance at the cover. Before they read the title or pay attention to the visual, the tone MUST grab their attention. The tone tells the viewer if this is a supense thriller, a comedy or a sci-fi fantasy novel. In a split second it conveys the theme of the book. The tone is set through the shades and hues used, the size and style of the font, and the use of space vs imagery in the cover arrangement. A simple layout vs a complex arrangement conveys a message to the viewer. You’ll notice that no mention is made of what the words or images are – at this point, they simply don’t matter.

The bad…

 

The better…


RELEVANCE

One would think this would be obvious, but often I see covers where this element is lacking. The cover needs to be relevant to the content of the book and the images need to be relevant to the title. If your novel consists of a serial rapist and his eventual capture, the cover should not have the pyramids of Egypt on. There are many ways to create relevance in a cover, without having to make the link too obvious. Relevance can be created through emotion (fear, love, mystery), locations (Egypt, Forest, Moon), Characters (Hero, Villian, Couple), Key tools (Knife, Gun, Flowers), etc. Relevance hints at the content, without giving away the story. It’s essential in creating interest to delve further.

The bad…

 

The better…

 

ATTRACTION

Books don’t open themselves. Attracting a potential reader to open a novel or download an ebook is really the ultimate goal of a cover in the first place. And that means the cover needs to look good. It needs to be ATTRACTIVE to compel a reader to pick it up. Often this is where many self-publishers struggle. In an understandable attempt to keep costs down, self-publishing writers often create their own covers or get their sister’s friend’s boyfriend to do it for next-to-nothing. However, this can often lead to a poor quality cover, which can severely limit sales.

An attractive design by a reputable, professional specialist cover designer does not need to cost a fortune, and can make a world of difference to the ultimate success of your novel. There are many professional cover designers out there (just google book cover design), and costs can range from $250 to $1250 dollars for a professional, print-ready or Kindle-ready cover.

The bad…

 

The better…

 

INTEREST

Drawing the interest of a potential reader is very important to the success of any cover. What makes the cover interesting? What is unusual or extraordinary about the cover that helps it to stand out from the thousands of other covers competing for a reader’s attention? Whether it’s the image, the layout or the font choice, every cover needs a unique element that creates interest.

The bad…

The better…

LEGIBILITY

This is another seemingly obvious requirement that is often neglected, particularly when it comes to ebook covers. The title (most importantly) and author name (less importantly) must be legible in thumbnail size. With millions of readers now shopping for their books online, and cover  thumbnails usually only a few pixels wide, you need a legible font. Font choice often lets an otherwise reasonable cover down. If the reader can’t make out your title when skimming hundreds of potential reading choices, your book is severely disadvantaged.

The bad…

The better…

 

There are thousands of examples of effective, interesting and beautiful covers out there, and even more poor ones. Following the TRAIL formula won’t guarantee your novel is a bestseller but it should, at the very least, convince a potential reader to open to page one.

 

Let me design your next cover

I know how important your book is to you. You’ve spent countless hours researching, writing, editing and perfecting your piece of art, and you are passionate about this crucial final element – the all-important cover.

Allow me the privilege and the opportunity to help bring your vision to reality, to design a cover that captures the essence of your writing. With over 15 years experience in the design and adertising industry, I am highly skilled at turning abstract concepts into powerful and effective imagery. With access to a database of over 17 million royalty-free images, you never need to be concerned about image licensing or royalty costs.

Depending on the package you choose, I provide at least 2 options for you to choose from, within 72 hours of placing your order. After changes and final approval, I’ll provide you with print-ready file or high-res JPEG ready for upload, along with a rendered 3D version for marketing.

And remember, if you’re not 100% happy with the final artwork, you don’t pay a thing.

Check out the EBOOK package or LITE package to order, or take a look at some sample covers I’ve recently designed.

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